Preview Mode Links will not work in preview mode

Mere Rhetoric

Welcome to Mere Rhetoric, the podcast for beginners and insiders about the ideas, people and movements who have shaped rhetorical history.

May 1, 2015

Transcript available on request


Return from hiatus. Dissertation submitted to readers.




Gorgias. Not The Gorgias, but gorias himself.








There are very few rhetoricians who get a shiny golden statue made of them. In fact, I don’t personally know anyone who has one. But when I think of solid golden statues, I think of one man in specific—Gorgias. People built a golden statue to Gorgias. Sold. Gold. Awarded many honors that were usually reserved for citizens. Traveled around like a rock star.




And what do you do when you’re a rock star? What did the Beatles do? Find greater challenges.




Helen of Troy’s position in society








Why did he it—it’s fun (also money) “I wishes to write a speech which would be a praise of Helen and diversion to myself”—but also demonstrate the power of language, arguing implicitly that his speech has been effective. While he’s describing that Helen couldn’t help herself, everyone in the audience is being swept away, too. paignia, a playful piece. Shining example of “paradoxologia.”






it’s a bit contradictory to have an orator tell you to beware of the things people say in beautiful ways because they could lead you astray. He certainly isn’t making a case for straight-talking, the way he’s speaking, but the idea that speech can be good and bad and can be immensely powerful makes Gorgias himself into a supposed kind of benevolent dictator of people’s opinions and emotions.


How he does it: Gorgiac figures divices like antithesis and paronomasia.






“opinion is slippery and insecure it casts those empllying it into slippery and insecure successes” “Speech is a powerful lord” “is she was persuaded by speech she did not do wrong but was unfortunate.




Say H had been physically abducted—certaitnly she wouldn’t be at fault. G says that Helen being seduced by words was just as powerful. Since speech can “stop fear and banish grief and create joy and nurture pity” Speech is “comparable to the power of drugs over the nature of bodies”






The dual nature of speech is strongly marked by Gorgias’ use of antithesis. He discusses “a passion which loved to conquer and a love of honor which was unconquered” to describe Helen (45). He is not only defending Helen, but using Helen’s dual nature to prepare his listeners for his explanation of the positive and negative potential of rhetoric. “




isocolon; he describes cities and manpower, body and beautiful, soul and wisdom, action and virtue, and speech and truth (44). By drawing connections between these things, Gorgias sets the stage for his thesis about the necessity for speaker to speak truth or else immorally lead people astray against their ability to stop the speaker. Speaking of setting the stage, while Gorgias uses isocolon quite liberally, he only uses two significant metaphors, both dealing with the nature of speech. He describes speech as both a lord and a drug, two metaphors which describe the irresistible nature of speech as well as speech’s power to be both benevolent and maleficent (45-46).








Why did they love him so much? Well, he was an innovator, for one: he is one of the first generation of sophists, the father of sophistry, if you will.




Not everyone loves him, though. : Aristotle also criticizes Gorgias’ showmanship and money grubbing. Isocrates wrote a later encomium of Helen and he accuses Gorgias of not having really written an encomium—no praise of her, but defense (Kennedy 21).Father of sophistry becomes Socrates’ foil in Gorgias, and it’s not surprising given the cheerfully deceiving and deceived of the Encomium’s radical departure from Greek traditional view of Helen.




Next week: Isocrates’ Encomium of Helen