Apr 6, 2016
Welcome to Mere rhetoric a podcast for beginners and insiders about the ideas, people and movements who have shaped rhetorical history. I’m Mary Hedengren. And special thanks to the Humanities media project. This is a re-recording, so you might want to take the next sentence with a grain of salt
Last week we continued our conversation of deliberative rhetoric by talking about Saving Persuasion, a contemporary book about how rhetoric doesn’t have to be rhetortricky. Today we’re going to talk about one of the figures in political rhetoric who was really, really good at what he did and that made everyone around him very nervous. I’m talking about one of the most engaging political figures of ancient Athens: Demosthenes.
That name may sound vaguely familiar to those of you who are regular listeners because we mentioned Demosthenes as one of the great orators who got his start in logography. Logographers, as some of you might recall, were the pre-lawyer lawyers. They could be hired to write speeches for people going to court. They had to be savvy about what the jury would respond to and they had to write in a way that would represent their client. What they didn’t have to do, though, was deliver the speech.
We also mentioned that Demosthenes was all about delivery when we talked about the canons of rhetoric [canon boom] Really? Well, when we talked about the canons of rhetoric, one of the last ones was delivery, and Demosthenes reportedly thought delivery was the most important. He had an unnatural time at it, though, because he was allegedly born with a serious speech impediment. Plutarch says that Demosthenes had “a perplexed and indistinct utterance and a shortness of breath, which, by breaking and disjointing his sentences much obscured the sense and meaning of what he spoke.” More likely, Demosthenes said his “r”s like “l”s. I have a lot of sympathy for this, as someone who went to speech therapy herself until she was in junior high. I also had problems with my r’s and l’s and on top of it, I had a retainer. My mom, a writing teacher, thought this was fantastic, because Demosthenes learned to over come his speech impediment by way of—not a retainer—but pebbles in his mouth. As he learned to talk around the pebbles in his mouth, he became hyper aware of his diction and became a great orator. All of this is cold comfort to a twelve-year-old with orthodonty, but it worked out well for Demosthenes.
Really well. Demosthenes, who had been taking a sort of back-seat position as a logographer began to get more of a toehold in politics, by way of taking on “public” cases. You see, if you hated someone’s politics, you could sue them. Remember how some Republicans were going to sue Obama for abuse of power? It was like that. All. The. Time. So Demosthenes gets more into politics and begins writing public speeches like Against Androtion and Against Leptines and then Against Timocrates and Against Aristocrates Are you noticing a theme in these titles? Demosthenes was really taking to town all of the politicians who were allegedly corrupt and politics in ancient Athens were always personal. “Pretty much you try to paint the other guy as a villain beyond all villainy. Athens did smear campaigns better than anyone who ever put their opponent in grainy, slow-mo footage. Here’s a taste of Demosthenes’ accusations: “For on many occasions, men of Athens, the justice of the case has not been brought home to you, but a verdict has been wrested from you by the clamor, the violence and the shamelessness of the pleaders. Let not that be your case today, for that would be unworthy of you.” “In this court Leptines is contending with us, but within the conscience of each member of the jury humanity is arrayed against envy, justice against malice, and all that is good against all that is most base.” “do not think, gentlemen of the jury, that even Timocrates can lay the blame of the present prosecution upon anyone else: he has brought it on himself. Moved by desire to deprive the State of a large sum of money, he has most illegally introduced a law which is both inexpedient and iniquitous.”
These are awesome. But as anyone running a good campaign knows, it’s not enough just to slam the opponent; you also need to make a few campaign promises yourself. In 354 BC, Demosthenes outlined his policy of moderation and a scheme for financing in his first political oration, On the Navy, which is not to be confused with the Village People’s immortal classic, In the Navy. [sound bite, maybe]. With this speech, first of many, Demosthenes launched his political career in earnest. But what really drove Demosthenes’ career was a great opponent and that he had in Philip II of Macedon. As you might infer from the name, Philip II wasn’t an Athenian, but a Macedonian who was taking over other city states that were alarmingly proximate to Athens. Demosthenes saw Philip as a huge threat and warned the Athenians in his rousing First Phillipic. Unfortunately, Philip still conquered Athens.
This led to Demosthenes being able to give the second and third Phillipic, criticizing the attacker of his city and declaring it "better to die a thousand times than pay court to Philip." The Third Phillipic was his magnum opus in a lot of ways.
“But if some slave or superstitious bastard had wasted and squandered what he had no right to, heavens! how much more monstrous and exasperating all would have called it! Yet they have no such qualms about Philip and his present conduct, though he is not only no Greek, nor related to the Greeks, but not even a barbarian from any place that can be named with honor, but a pestilent knave from Macedonia, whence it was never yet possible to buy a decent slave.” Ooh, that’s good.
Philip did conquer Athens. But then he died. Demosthenes loved that. After Philip’s assassination, Demosthenes put a “garland on his head and white raiment on his body, and there he stood making thank-offerings, violating all decency” according to one account. In fact, after Philip was assassinated, Demosthenes’ classy rhetoric led an uprising of Athenians to finally break the Macedon army. It wasn’t successful and Philip’s son Alexander was in charge and—big surprise—Demosthenes hated him too. It was mutal. Alexander demanded the exile ofDemosthenes.
But the Athenians still loved him and he loved the people. “A project approved by the people is going forward,” he wrote in a public speech commemorating the defeat of his political enemy. Because of the way that Demosthenes had opposed kings and led the people into riot, he became vilified by all good monarchists for centuries. Here was this sneaky demagogue who could manipulate the people into rebellion.
If political types were antsy about Demosthenes, rhetoricians adored him, especially those with a republican bent. Cicero idealized Demosthenes’ orataional and political career, and Longinus and Juvenal praised him highly. Renaissance rhetoricians who were comfortable with his anti-monarach stance loved him too—John Jewel and Thomas Wilson. John Jay, Hamilton and Madison, the American founding fathers and authors of Federalist papers, also admired Demosthenes’ style. So if you like people and rhetoric, chances are, you’ll like Demosthenes.
In some ways, Demosthenes was an orator of the people all along. His style is relative plainspoken, abrupt and built on the assumption of sincerity. As Harry Thurston Peck puts it, Demosthenes "affects no learning; he aims at no elegance; he seeks no glaring ornaments; he rarely touches the heart with a soft or melting appeal, and when he does, it is only with an effect in which a third-rate speaker would have surpassed him. He had no wit, no humour, no vivacity, in our acceptance of these terms. The secret of his power is simple, for it lies essentially in the fact that his political principles were interwoven with his very spirit.” But even though Demosthenes gave the appearance of speaking out of the conviction of his soul 100% of the time, allegedly, he refused to speak off the cuff. He put a lot of work into making his words seem artless.
And that’s what our topic for next week is going to be—Sprezzatura, the art of making what you say seem artless. It’s a prime skill for politicians in our day as well as back in the Renaissance where the term was coined. We’ll talk about why the idea of pretending that you haven’t worked on your speech is so important again in this age of sincerity. If you have things that you’re sincerely interested in, why not write to us at email@example.com? You can send us ideas for podcasts, feedback or stories of your own orthodonticure. And until new week, happy political season!